Anna Caterina Antonacci
Anna Caterina is regarded as the most talented soprano of her generation. She was awarded awards in both the Voci Verdiane Callas competition and the Pavarotti Competition. French Republic awarded her with the highest possible national honor the title of 'Chevalier de la l'Ordre National of the Legion d'Honneur'. She has recorded L'Alba separa dilla luce, the ombra and Donald Sulzen for Wigmore Live. It features tracks of Tosti Cilea. Anna Caterina has been elected as among the Accademici Effettivi in 2021 by the distinguished panellists at the General Assembly of the Academicians of Santa Cecilia. Anna Caterina is currently performing her role of Madame de Croissy from Poulenc's Dialogues des Carmelites as part of the Emma Dante production at Teatro dell'Opera di Roma. The role will be reprised by Anna Caterina Antonacci the Bayerische Staatsoper later this season. Anna Caterina Antonacci hails from Italy. She is well-known due to the parts she's played in bel canto, as well as the baroque repertoire. Her main focus was on singing in the Rossini Canon. Antonacci has been mezzo-soprano for several years. Anna Caterina Antonacci, 62 years old, is currently not known for her height. Anna Caterina Antonacci Body measurements as well as eye color and hair colour will soon be updated. The actress is single. She's not been with anybody. We don't know about Her past relationship and engagements. Based on our Database She is a single parent. Her net worth has been growing significantly in 2022-2023. Anna Caterina Antonacci is now at 62. What does she earn? Anna Caterina Antonacci gets most of her earnings because she is known as a popular and well-known vocalist. Anna Caterina Antonacci, born 5 April 1961 in Italy, is an soprano renowned for her performances in the Baroque and Bel Canto repertories. For several years, she performed as mezzo-soprano and specialising in the Rossini Canon. Antonacci began her career as Rosina in Arezzo in 1986 after studying in Bologna. Her profile was extensively written in The New York Times in March 2012.






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